The release history of one of cinema's most celebrated soundtracks (and groundbreaking electronic album in its own right) is a long and complicated one, with large swathes of the most memorable score left unissued, alternate track titles, blahblahblah. All you need to know is that this incorporates the entire original soundtrack - nothing is left out and it's all noirish, cyberpunk, sci-fi synth-classical genius. The tracks are in chronological order as they appear in the film. I can't remember whether I included the artwork as this is an old upload, but it's likely =D
The remit is broad: Moog jazz/blues, grandiose synth compositions, Middle Eastern modes with uncanny synthesized bazaar orchestra...
For fans of the movie (if you haven't seen it go buy the tin box final cut edition or watch here, you mug) you'll appreciate the fact that this 320kbps bootleg includes everything from the geisha billboard music to Vangelis' spot-on speculation of what clubbers would be dancing to in 2019 dystopian Los Angeles. These tracks are possibly the best feature for me, the ones where the musical cues were never issued separately, so you still get to enjoy the subtle genius of the sound effects department: rain falling, wind chimes, etc. The bootleggers obviously made a conscious decision to extricate the dialogue track but keep in alot of these sounds, and they only serve to enhance the atmosphere.
Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Thursday, 15 October 2009
Friday, 31 July 2009
Film: Noroi / the Curse (2005)
There are some exciting uploads on the way for you readers, real and phantom alike. Until then here's an above-average J-horror film I just viddied on the Boobtubes:
Noroi is a healthy mixture of profoundly scary and unintentionally funny, for some reason I can't make up my mind about it, which is either a sign that it's not that good or repeated viewing is required...
One day, maybe, the world will be treated to a horror renaissance on a par with the first time we saw Ringu or the Blair Witch Project; back in those dark, formulaic days of the Hollywood slasher revival. But Noroi isn't it. Still worth watching if you have the chance (i.e. now), it's essentially a hybrid of those two aforementioned classics: a chiller presented as a documentary of real events, incorporating the slow-moving but effective demons 'n' curses template of Japanese horror. True to that form it avoids cheap shots and pummels you with dread (a little too densely at times I thought, something that bothers me about another, much more confusing J-horror standard Ju-On/the Grudge); so when the camera finally gives you a 'money shot' you wet your proverbial pants.
It's an interesting, if relatively minor, deviation from the long worn-out formula of girls with long hair over their faces, creepy psychic children and confusing plots with loose ends.
Things to look out for:
Mr. Hori, the comic relief;
Approximately 7:38 on part 11;
Fetus ghosts
Enjoy!
Noroi is a healthy mixture of profoundly scary and unintentionally funny, for some reason I can't make up my mind about it, which is either a sign that it's not that good or repeated viewing is required...
One day, maybe, the world will be treated to a horror renaissance on a par with the first time we saw Ringu or the Blair Witch Project; back in those dark, formulaic days of the Hollywood slasher revival. But Noroi isn't it. Still worth watching if you have the chance (i.e. now), it's essentially a hybrid of those two aforementioned classics: a chiller presented as a documentary of real events, incorporating the slow-moving but effective demons 'n' curses template of Japanese horror. True to that form it avoids cheap shots and pummels you with dread (a little too densely at times I thought, something that bothers me about another, much more confusing J-horror standard Ju-On/the Grudge); so when the camera finally gives you a 'money shot' you wet your proverbial pants.
It's an interesting, if relatively minor, deviation from the long worn-out formula of girls with long hair over their faces, creepy psychic children and confusing plots with loose ends.
Things to look out for:
Mr. Hori, the comic relief;
Approximately 7:38 on part 11;
Fetus ghosts
Enjoy!
Saturday, 18 July 2009
Film: Japanese Nouvelle Vague
You may or may not be aware of a thriving underground on Youtube (i.e. videos cheekily given irrelevant or coded titles) of uploading collections of non-English and experimental films - much to the delight of at least a couple of thousand souls that are lucky enough to stumble upon these playlists.
I've encountered several users out on a mission to educate and save you and I the high prices of British Film Institute or Criterion Collection DVDs... Here's one of them: http://www.youtube.com/profile?user=memoirevisuelle&view=playlists
From that page scroll down a bit to the video entitled 'HS' for Hadaka no Shima (Naked Island) - it's probably the best of early Japanese new wave from Kaneto Shindô. Or at least the best in this particular style - Shindô sticks to an old school Japanese film technique which to more impatient viewers might just be equivalent to 'not a whole lot happening for a long time'.
If you are one such viewer, please, just sit back to appreciate the framing, the mise en scene, the heartbreaking events depicted, the breathtaking beauty of the damned locations and shut up.
Right now I am living out my most sacred Japanese New Wave (nuberu bagu) fantasies and binging on films that haven't even secured a PAL DVD release as of yet (Europe always comes last, which is ironic because we probably watch the most foreign films).
There are of course plenty of sources for streaming full-length videos, but the majority of these seemed to be filmed on a mobile phone camera, tilted to one side and peeking out from under somebody's coat. So long live Youtube and 10+ intermissions per film!
However, if you've got a free evening and want something a bit more 'eventful', have this definitive industrial/cyberpunk body-horror film instead. Don't argue, just watch (and bemoan the soulessness of CGI):
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