The haphazard flow of the album and the general consensus that the man's singing voice is "a characterless drone" seem to have caused many to leave this one in the dust, though I think they might be missing the point. It's no surprise that most of the positive sentiments I've heard about this one come from people who are interested in Nicky Wire as a personality and think that he's gorgeous or at least get the decidedly poetic angle of the material here. I Killed the Zeitgeist is a very much celebration of the music that he loves, as nearly all of the track descriptions reference one or more bands, which is occasionally over-the-top ("So Much For the Future = "Tom Waits singing with the Jesus and Mary Chain along to Beethoven's Piano Sonata number 23 in F minor", apparently) and other times weirdly fitting ("Kimono Rock" = "Bay City Rollers meets Libertines"), presented with an almost non-stop wryness of tone and themes. The most heartfelt tracks, "Goodbye Suicide", "You Will Always Be My Home", and definite highlight "Everything Fades" provide a nice contrast with the rest of the album, and are, strangely, where he excels in getting his message across vocally. You'd think that his continued status as a boisterous antagonist ("It's not that I'm trying too 'ard, it's just I'm naturally ****ing intelligent!") would lend itself better to half-ironic vocal stylings! And, well, maybe it does...in his cute way. Ahem...
Overall, it's a strange album, though certainly with more enjoyable, fun moments, and unexpected sentimentality than most listeners have given it credit for. I Killed the Zeitgeist+ Non-Album Bonus/Demos
1 comment:
The link doesn't work anymore.. could you please please please re-upload it? Stay beautiful x
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